
Patriarchy, agency and the question of caste: A review of Geetha J’s debut feature film Run Kalyani

Run Kalyani, Geetha J’s debut feature film about a working-class girl who works as a cook in two households in Thiruvananthapuram, has garnered accolades as well as rejections in its initial run in the film festival circuit. Since the film is shot entirely in Thiruvananthapuram, where Geetha was born and grew up, she was keen to show the film at the International Film Festival of Kerala (IFFK) 2019.
“Although there were 14 Malayalam films and six debut films in the Malayalam Cinema Today section in IFFK 2019, there were no films by woman filmmakers. This, and the fact that my film, featuring the story of a young girl, was rejected by the organizers struck me as strange,” Geetha, who also teaches World Cinema and Documentary Production at Film@CultureLab, Newcastle University, in the UK, told me during the Kolkata International Film Festival (KIFF) 2019. The IFFK has been attacked by many independent filmmakers who formed the Movement for Independent Cinema, questioning the increasing presence of commercial hits in its line-up. Run Kalyani had its world premiere under the Competition on Indian Language Films at KIFF 2019, where it also won the Special Jury Award. Geetha was overjoyed—the award was a validation of her decade-long, daunted struggle to tell stories of the lives of ordinary women through cinema. Geetha at…
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