
Why caste Hindutva, not an Elgar conspiracy, is at the root of the Bhima Koregaon violence

This is the first report in a three-part investigative series on the Elgar Parishad/Bhima Koregaon case. Read part two here and part three here.
That chopper hasn’t gotten used to me yet Its wound hasn’t gone deep enough as yet That’s the commoners’ clarion call we hear Not a mindless mob of elite nincompoops These two couplets from a singular Marathi ghazal might feel a bit prickly to some, but they can touch an indignant chord among the oppressed. The first of the two couplets is the refrain, while the “clarion call” in the second gives the composition its name: Elgar. The composer who penned it, Suresh Bhat, was born in Maharashtra’s Amravati to a Brahmin family, though he later converted to Buddhism, and has a coveted auditorium in his name. The Kavivarya Suresh Bhat Auditorium in Nagpur, close to the Brahminical ultra-right headquarters, was inaugurated by the president at the time, Ramnath Kovind, in September 2017. On the last evening of that year, the contentious Elgar Parishad—a public meeting organised for the defence…
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