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Polis Project

Quick Reads

The Oyerepa Afutu show hosted by Auntie Naa in Ghana

Sensationalism, Insensitivity, and Shock Value: Why Ghana’s Media Courts Cannot Replace Its Failing Justice System 

Menenaba

Letters from Palestine: The agony of patience in the harsh pursuit of hope

Asma' Salama Abu Mansi
Anahita Karthik

Anahita Karthik On Writing A Bisexual Immigrant Romance and A Historical Novel Set In Pune

Shuchi Agrawal
Modi and Trump

Trump And Modi’s Valentine’s Day Rendezvous 

The Savala Vada
The Milkmaid still

From The Milkmaid to Gangs Of Lagos: How Nigerian Filmmakers Are Using Cinema To Push Back Politically

Benita Ikpeamar
Famagusta still

Political Amnesia and Censorship: Why Netflix Banned Famagusta

Koraly Dimitriadis
Kunal Kamra, Ministry of Comedic Affairs Modi – The Savala Vada column

The Savala Vada and the Polis Project Conspire To Make India Great Again

The Savala Vada

BK-16 Prison Diaries: Sagar Gorkhe on his battle to survive Taloja jail’s brutality

Sagar Gorkhe
Maria, Just Maria

Redefining the Madwoman: Subverting Gender and Normalcy in Sandhya Mary’s Maria, Just Maria

Aparna Nair
Rohan Kanawade

A Tender Portrayal of Acceptance: Rohan Parashuram Kanawade on His Sundance-Winning Film Sabar Bonda

Ishita Sengupta

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The Polis Project is a 501(c)(3) nonprofit organization. Your tax-deductible contribution goes directly toward supporting our contributors, our staff of talented editors, researchers, writers, producers and artists, and our fellows.

All donations are tax deductible. Our EIN: 82-4072305

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